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It doesnвЂ™t necessarily have to be a high-definition, high-budget process even a cheap speaker and mic placed in a space with an interesting natural reverb can add character and a sense of physical space to your music.ДЇrom the cavernous tails of sludgy reverberation youвЂ™d hear in a large hall through to the tight, bright echoes of a tiled bathroom, natural spaces are one of the fundamental tools in a producerвЂ™s arsenal. The answer is simple: play that sound in a room and record the ambience using a mic. Nowadays, when we record synths, drum machines or even vocals in an isolation booth, weвЂ™re completely bypassing the natural reverberation of a real acoustic space. Interesting natural reverb can add character and a sense of physical space to your music At Abbey Road Studios, engineers and producers took advantage of purpose-built echo chambers with built-in speakers and microphones, allowing them to route audio signals through acoustic spaces and capture natural echoes before they even hit the tape. Phil Spector famously used the reverberations of large performance spaces to help define his trademark wall of sound. As techniques became more refined, producers began to take greater control of the acoustic space. Initially, recording engineers had no choice but to capture the sound of the room the performers were in. The use of natural reverb stretches all the way back to the days when the idea of recorded music was just a twinkle in Thomas EdisonвЂ™s eye. Given how much time some producersВ spend trying to create the perfect sound using artificial reverb, itвЂ™s baffling why so few consider going straight back to one of the original techniques. In fact, itвЂ™s an option that we have access to without spending a single penny: the natural reverberation of acoustic spaces. ItвЂ™s somewhat ironic that the very last option manyВ of us consider is the most affordable of all. Ask most producers to think of reverb and chances are the first thing that comes to mind is a plugin or perhaps a hardware unit.